Abschneiden
From Scholar Victoria
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In Meyer the slicing off appears more as a way of attacking or defending with slicing movements (as opposed to parrying with a static blade or a percussive strike against the opponent's weapon). This is done from extended arm positions such as [[Langort]] with long edge slicing movements to attack or to set aside the opponent's blade. | In Meyer the slicing off appears more as a way of attacking or defending with slicing movements (as opposed to parrying with a static blade or a percussive strike against the opponent's weapon). This is done from extended arm positions such as [[Langort]] with long edge slicing movements to attack or to set aside the opponent's blade. | ||
| − | + | Consider for example this application of slicing off: | |
| + | |||
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| + | {| class="wikitable" style="margin-left: auto; margin-right: auto; border: none;" | ||
| + | |- | ||
| + | ! Meister | ||
| + | ! Lehrling | ||
| + | |- | ||
| + | | [[Zornhut]], left leg forward | ||
| + | | [[Eisenport]], right leg forward | ||
| + | |- | ||
| + | | [[Passing Step]], [[Zornhauw]] | ||
| + | | [[Triangle Step]] to the right, catch the blade with the long edge and slice it down toward the ground away to the left. | ||
| + | |- | ||
| + | | | ||
| + | | Slash back up with the false edge to the face. | ||
| + | |} | ||
Revision as of 07:19, 7 June 2017
Slicing Off
In Meyer the slicing off appears more as a way of attacking or defending with slicing movements (as opposed to parrying with a static blade or a percussive strike against the opponent's weapon). This is done from extended arm positions such as Langort with long edge slicing movements to attack or to set aside the opponent's blade.
Consider for example this application of slicing off:
| Meister | Lehrling |
|---|---|
| Zornhut, left leg forward | Eisenport, right leg forward |
| Passing Step, Zornhauw | Triangle Step to the right, catch the blade with the long edge and slice it down toward the ground away to the left. |
| Slash back up with the false edge to the face. |
